Uma talk de Rosalind Krauss sobre o trabalho de Tacita Dean, cruzando de certa forma os tópicos das duas aulas anteriores (Cinemática e obsolescência)
British artist Tacita Dean created a filmwork for Tate Modern’s Turbine Hall. FILM is an experimental response to the architecture of the space and a portrait of the medium itself.
Rosalind E. Krauss discusses Tacita Dean’s work FILM 2011, in relation to her ongoing championing of medium specificity.
Rosalind E Krauss, editor and cofounder of October magazine, is University Professor at Columbia University. She is the author of The Originality of the Avant-Garde and Other Modernist Myths, The Optical Unconscious, Bachelors, and Perpetual Inventory. Her latest book, Under Blue Cup (2011), explores the relation of aesthetic mediums to memory. This event is related to the 2011 exhibition The Unilever Series: Tacita Dean: FILM